This page is the home for a series of eight documentaries — Legacy Films from The 1937 Flood — that are built around the audio and photos coming out of parties that Pamela and Charlie Bowen hosted in their South Side home in Huntington, WV, almost a half century ago, gatherings that their friends came to call “The Bowen Bashes.”

Let us tell you how the bashes came to be. By mid-1972, the Bowen were starting to feel quite grown up. They had been married for more than three years, they’d both graduated from college and had responsible jobs as reporters with the Huntington newspapers. But they hadn’t given up
all their youthful diversions.

For instance, they both still loved music. Of course, Pamela and Charlie had played music together at coffeehouses and folk music parties during their years of dating in the late 1960s. After their marriage, they had given up music for a while (finding it more fun to play with each other than with their guitars!). By the time Charlie got back into music, Pamela had moved on to other interests — writing, photography, horseback riding — but she still loved going to the concerts and festivals.

And there were lots of them to choose from. With long-time friends like Jim Strother, Stew Schneider, Susan Lewis, Jack and Susie Nuckols, they traveled to rural setting in Kentucky and West Virginia to hear the fiddlers and banjos and to meet the new pickers who learned to play the old tunes, people like H. David Holbrook and Ron Sanders and John Morris and, of course, Roger, Mack and Ted, the incomparable Samples Brothers.

Before long, Pamela and Charlie were thinking about bringing some of this wonderful music to their own living room. That they did and in August of 1972, the invitations went out. The Bowens’ local music hero and mentor Terry Goller came with his guitar to pick with Nuckols and Strother and Holbrook and Schneider. Of course, such a good time demanded an encore. And then another, and then another. All told, the Bowen Bashes would become semiannual events for nearly decade, hosting dozens of musicians and nurturing the birth of a number of bands, including our host for this film series, The 1937 Flood.

We’re pretty excited about our new legacy film project. Of course, we're using the word "film" lightly; we don’t have any actual film from those days — movie cameras were pretty much beyond our means and our kin in the ‘70s — so we go full Ken Burns for the eight videos that will make up the series. For that reason, we are so grateful for the contemporary photography of dear friend Jackie Jadrnak, who was on hand for almost all of the events recorded here and whose beautiful images gave us so much to work with. And while Pamela was responsible for most of the audio, we always will be indebted to Stew Schneider, John Koenig and John Klein, who also did their share of button pushing and knob turning on the tape recorders on all those evenings!

So, hop in and buckle up. The time machine is set to go!

Note: If you are a Facebook user, you might ant to visit and "like" our page there -- https://www.facebook.com/BowenBashes -- where all the episodes in the seriesalso are preserved.


May 18, 1974: Pamela and Charlie decided in 1972 to bring some of the wonderful music they heard at music festivals and local concerts to their own living room. An initial party in August 1972 was so much fun, it demanded an encore, especially since the couple now had a larger venue for the do. Between August 1972 and April 1973, the Bowens moved their upstairs duplex to an honest-to-gawd house. Their new home was a few blocks away, in a rented house on the 13th Avenue. This would be the site of all the rest of the Bowen Bashes for the next eight years.

Coming to the spring 1973 bash were most of the original pickers from the previous summer plus some exciting newcomers. For instance, our dear friend Bill Hoke had just gotten out of the service the previous February and was looking for some fun. In Lexington, Ky., he met Holbrook and Strother and Jack and Susie Nuckols. Meanwhile, his cousin, Susan Lewis, told him how a bunch of them were all driving into Huntington for the party. Bill said later, “I remember hearing more music that weekend than I’d heard in every coffeehouse I had ever been to. Being just out of a six-year stint in the Navy, I’m thinking, ‘My God — life is GOOD. I was hooked.’” And of course, we were hooked on Bill too; he’d be at every bash from then on in that old blue house.

Sadly, those first two bashes are lost to the ages — stupidly we didn’t think to turn on a tape recorder! — but by the time of the third bash the following year, we had wised up. With the help of Stew Schneider at the control, we started recording the highlights of the May 1974 bash, and would record them from then on. That May 1974 party is the basis for this, the start of our “Bowen Bash” legacy film series.

1. I Love You So ... uh .... (David Peyton)
2. Please Don't Bury Me (Charlie Bowen &
            David Peyton)
3. Sail Away Ladies (Kentucky Foothill Rambers)
4. Franklin D. Roosevelt Back Again
               (Kentucky Foothill Rambers)
5. Sweet Sunny South (Kentucky Foothill
6. Blues #1 (David Ingalls)
7. Bury Me Beneath the Willows
(Sallie Sublett)
8. Solid Gone (Peyton & Bowen)
9. Hold That Woodpile Down (Kentucky
               Foothill Ramblers)

10. Handsome Mollie (Kentucky Foothill Rambers)
11. Blues #2 (Ingalls)
12. Take a Whiff Off Me (Bowen & Peyton)
13. Roving Gambler (Peyton & Bowen)
14. Johnson Boys (Kentucky Foothill Rambers)
15. Ragtime Annie (Kentucky Foothill Rambers)
16. Making Believe (Sublette)
17. Old Reuben (Peyton & Bowen)
18. City of New Orleans (Bowen & Peyton)
19. Diamonds in the Rough (Kentucky Foothill Rambers)
20. Paradise (Bowen & Peyton)
21. From Earth to Heaven (Kentucky Foothill Ramberss)
22. Mole's Moan (Bowen & Peyton)

Nov. 1-2, 1974: By the fall of 1974, Charlie had been playing music with David Peyton for less than a year. We didn’t even have name for our ensemble yet, but by mid-summer, the third crucial element of what would become The 1937 Flood was in place, namely guitarist/singer Roger Samples. Now, regarding Rog: before Peyton was picking with me, he had been half for a great duo with Roger. In fact, the Peyton-Samples duet played parties and coffeehouses in and around Marshall University all during the years before Roger graduated, married and moved away. So, because of his history with David, Roger was fairly easy to reel back into that world in ’74 when he came back to our neighbor hood. Now, about the party whose music and photos are featured in this film. For about a decade, Pamela and Charlie hosted semiannual music parties in their home in the south side of Huntington, gatherings that their friends started calling “the Bowen Bashes.” Starting in the spring of 1972, the parties features three days of music by our friends from West Virginia, Kentucky and Ohio, folks like David and Susan Holbrook, Bill Hoke, Jack Nuckols, Stew Schneider, Jim Strother and, of course, Peyton and Bowen. But hands down, the news from this particular November 1974 weekend was that it was Roger Samples’ first bash, the party that would introduce him to friends he would have for decades to come!

1. Boil 'em Cabbage Down (Jack Nuckols,
            Jim Srother & Bill Hoke)
2. If I Had a Troubadour (Charlie Bowen,
            David Peyton & Roger Samples)
3. Banks of the Old Guyan (Peyton & Samples)
4. How Long / Number 12 Train (Bowen
             & Samples)
5. Souvenirs (Samples & Bowen)
6. Fire & Rain (Samples)
7. Soldier's Joy (Kentucky Foothill Rambers)
8. Model A (Kentucky Foothill Rambers)

9. I'm the Child to Fight (Kentucky Foothill Rambers)
10. Buddy Bolden (Bowen)
11. Autumn Song (Bowen)
12. St. Louis Tickle (Strother)
13. House of the Rising Sun (Bowen, Peyton, Samples)
14. Charlie Dunn (Bowen & Peyton)
15. Peaceful, Easy Feeling (Samples, Peyton, Hoke)
16. Berkeley Woman (Bowen, Peyton, Nuckols, Hoke)
17. Milwaukee Blues (Kentucky Foothill Rambers)
18. Leaving Home (Kentucky Foothill Ramberss)
19. Poor Sinner, Fare Thee Well (Kentucky
              Foothill Ramblers)


Sept. 5-6, 1975: This Flood legacy film celebrates the September 1975 Bowen Bash, the one at which legendary fiddler Joe Dobbs met — and wowed — the people who by then had been coming to those parties for years by then. Now, actually, Dave Peyton and Charlie Bowen had met Joe five months earlier that at an arts and crafts festival in downtown Huntington. Soon Joe was regularly fiddling with us out at Dave and Susie’s house on Mount Union Road. Quickly our old buddy Roger Samples was drawn in too, and by mid- summer Joe was a full-fledged member of The Flood, the band he would play with for the rest of his life. So by the time the September bash came along, this newest Floodster was ready to meet our extended musical family.Well, yeah, as it turned out more than just “meet.” Like the prettiest new girl at the ball whom everyone wants to dance with, all the musicians that weekend wanted to play some tunes with Joe. And as you’ll hear in the next hour, play they did. You’ll hear Joe rocking with The Kentucky Foothill Ramblers, trading licks with H. David Holbrook’s rollicking banjo, providing beautiful fiddle harmonies for the vocals of Susan Lewis and Bill Hoke and Ronnie Sanders. Joe also found time for imaginative duets with Roger and Dave. And of course, he was front and center on everything The Flood played that weekend. This film also takes a moment to feature other pickers at that bash, including memorable fiddling of Gus Meade and Jim Strother.But mostly? Well, mostly we will always remember the September 1975 bash as Joe Dobbs’ coming-out party.

1. If a Picture Paints a Thousand World (Joe
              Dobbs & Roger Samples)
2. If the River was Whisky (Hesitation Blues)
(The Kentucky Foothill Ramblers)
3. Whoop 'Em Cindy Kentucky Foothill Ramblers)
4. Bound to Ride (The Kentucky Foothill Ramblers)
5. Hop High Ladies Kentucky Foothill Ramblers)
6. Misty (Dobbs & Samples)
7. Ella Speed (The 1937 Flood)
8. Down in the Willow Garden (The 1937 Flood)
9. Fly Around, My Pretty Litle Miss (Gus Meade)
10. Gospel (The 1937 Flood)
11. July You're a Woman (The 1937 Flood)

12. Spanish Pipedream (Blow Up Your TV)
              (The 1937 Flood)
13. Santa Anna's Retreat (Jim Strother)
14. Bonaparte Crossing the Rhine (Jim Strother)
15. Is It Really Love at All? (The 1937 Flood)
16. Took My Gal a-Walkin' (The 1937 Flood)
17. Little Birdie (Kentucky Foothill Ramblers)
18. Peaceful, Easy Feeling (The 1937 Flood)
19. Way Downtown (The 1937 Flood)
20. Gold Watch & Chain (Kentucky Foothill Ramblers)
21. Handsome Molly (Kentucky Foothill Rambers)
22. Teardrops Fallin in the Snow (Kentucky Foothill
23. Tell It to Me (Kentucky Foothill Ramblers)


March 19, 1977: By the time we were setting up for the spring bash, we all knew that 1977 was going to be a darn peculiar year. It began, for instance, with the worst winter any of us could remember. It was so cold for so long that the Ohio River frozen over and Huntington’s South Side looked like the arctic tundra. Four-Pole Creek was frozen solid for so long that folks started ice-skating on it. And it seemed The Flood was frozen up too, or at least still hibernating. This would be the first bash at which the entire band did not make an appearance. Susie and Dave Peyton didn’t make the scene at all. Joe Dobbs and Roger Samples were were on hand only for a few tunes before they had to leave too. But the bash bunch did soldier on, and we were rewarded with new faces in the crowd. For instance, two Floodsters — Stew Schneider and Charlie Bowen — had by that time teamed up with old friend singer/songwriter John Koenig for a musical experiment we called “Front Royal,” a short-lived but fun group that was dedicated to performing mostly original compositions, including a number of Koenig-Bowen collaborations. March 1977 would Front Royal’s bash debut. Meanwhile, The Kentucky Foothill Ramblers, a Bowen Bash mainstay, also was exploring new material, pushing beyond its usual diet of traditional old-time music to begin stretching its bluegrass muscles. Not only that, KFR had draw into its orbit a true West Virginia treasure, beloved fiddler John Morris. His first bash appearance would also be on that chilly March weekend.

1. Whisky Before Breakfast (Joe Dobbs & Roger Samples)
2. Jerusalem Ridge ( Dobbs & Samples)
3. Don't Expect for Me to Be Your Friend
(Charlie Bowen & Rog Samples)
4. Trouble in Mind (Bowen & Samples)
5. Jug Band Music (Bowen, Samples & Dobbs)
6. Rattlesnake Hornpipe (Dobbs & Samples)
7. If the River was Whisky (Hesitation Blues)
(The Kentucky Foothill Ramblers)
8. White House Blues (The Kentucky Foothill

9.Gold Watch & Chain (Kentucky Foothill Ramblers)
10. Foggy Mountaintop (Kentucky Foothill Ramblers)
11. Summertime Lady (Front Royal)
12. Lying in Bed with Her (Front Royal)
13. Sweet Country Love (Front Royal)
14. My Aunt Edna (Front Royal)
15. Fox on the Run (Kentucky Foothill Ramblers)
16. Long Journey Home (Kentucky Foothill Ramblers)
17.Tell It to Me (Kentucky Foothill Ramblers)
18. Goodbye Booze (Kentucky Foothill Ramblers)
19. Solid Gone (Kentucky Foothill Rambers)

Public Bashes (1977-79)

July 30, 1977; Aug. 26, 1978; Sept. 29, 1979 & Oct. 6, 1979: After five years of hosting those semi-annual semi-private house parties that the our friends called “The Bowen Bash,” we figured in the summer of 1977 that, gee, it was high time we made them public. Well, no, that’s not really how it happened at all. The public version of the bashes came about, not through the Bowens’ efforts, but rather through the good work of a couple of dear friends.

John Koenig’s wife-to-be Barbara — who had been an enthusiastic regular at Bowen Bashes for several years by then — was working at the local art museum — called the Huntington Galleries, in those days — on the staff of the museum director, the beloved Roberta Emerson.

  Now the late Roberta Emerson, who is still a local legend for all did for her adopted hometown of Huntington, firmly believed that an art museum should abstain from any form of elitism; instead it should try to attract all the community’s residents to enjoy its treasures. So when she heard her young friend Barbara raving about the good times she’d had at the latest Bowen Bash, Roberta had an idea. Thinking back to the great folk music “hootenannies” of the 1950s and ‘60s, she proposed that we bring the whole gang to her museum and its lovely amphitheater to do a free concert.

Well, everybody loved that idea, and we staged the first one in July 1977. It was such a good time that we kept coming back. We had the second public bash in August of ’78, another in September of ’79. Shoot, we even once took the show in the road, staging another version of the public bash in Charleston in the theater of the then-new West Virginia Cultural Center.

For these shows, all the regulars were on hand — The Kentucky Foothill Ramblers, the Samples Brothers, Front Royal and, of course, The Flood — and also had some great guest artists. For instance, the inaugural public bash was the first performance we have on tape of our old friend, guitarist/singer Bob Toothman, and it was only time we got to hear from the late great Ashland, Ky., singer Dan Gore, who honored us with some great classic blues. We even had an international connection, when Joe Dobbs introduced us to visiting Australians Rod and Judy Jones who wowed us with their traditional banjo-fiddle numbers.

And of course, in keeping with the old hootenanny tradition, we always tried a couple times during the night to get all the pickers on stage at one time for a tune or tune. So, grab you sunglasses and your bug spray and come on out.

1. Mississippi Sawyer / Arkansas Travel (Joe
              Dobbs & the whole gang, 10/6/79)
2. Bill Mason (Kentucky Foothill
              Ramblers, 9/29/79)
3. Rolling in My Sweet Baby's Arms (Kentucky
              Foothill Ramblers, 7/30/77)
4. Troubadour Song (Samples Brothers, 10/6/79)
5. Barbara Allen (Samples Brothers, 8/26/78)
6. Sweet Georgia Brown (The 1937 Flood,
7. The Dutchman (The 1937 Flood, 8/26/78)
8. Over the Waterfall (Rod & Judy Jones,
9. Bottled in Bond (David Peyton, 8/26/78)
10. Mister Charlie (Dan Gore, 9/29/79)
11. In My Time of Dying (Dan Gore, 9/29/79)

12. Sweet 16 (The Dobbs Brothers, 8/26/78)
13. Janet (Front Royal, 8/26/78)
14. Martin (Front Royal, 8/26/78)
15. Talkin' Guitar Blues (Bob Toothman, 7/30/77)
16. Keep on the Sunny Side (Samples Brothers, 8/26/78)
17. Have a Little Talk with Jesus (Kentucky Foothill
                Ramblers, 8/26/78)
18. No Distinction There (Kentucky Foothill Ramblers,
19. Kiss Me Quick and Go (Kentucky Foothill
                 Rambler, 10/6/79)
20. Waterbound (Jack Nuckols, 9/29/79)
21. Younger Days (Charlie Bowen & Joe Dobbs, 9/29/79)
22. Call Him Up (David Peyton & the whole gang, 8/26/78)
23. Mountain Dew (the whole gang, 10/6/79)


May 5, 1979: We had been hosting the Bowen Bashes for seven years by now, often one in the spring and another in the fall. Also by then, we’d even started having occasional public versions of the bash, free, rollicking warm-weather concerts in the grand old tradition of folk music “hootenannies.”

All that camaraderie meant that most of the fans and players who were regulars at the bashes had become very close by this time, almost like family, sharing each others’ stories and successes and challenges like folks coming together for a feast.

And we realize now that even the record we have of those wonderful days — the recordings that came from the good ol’ reel-to-reel tape recorder that Pamela so faithfully oversaw during the parties — reflects all that coming together. While earlier bashes usually highlighted the sets by distinct bands, the tapes from 1979 on increasing recorded a merging of talents. Dave Peyton might bring his Autoharp, kazoo and powerful voice to help out on a Samples Brothers Band tune. Joe Dobbs might find the perfect place for his sweet fiddle behind some new composition from Front Royal. Mack Samples could bring some great harmony to a Kentucky Foothill Ramblers number. KFR’s H. David Holbrook or Bill Hoke would return the favor by slipping into The Flood or the Samples Bros Band.

In other words, by ’79, the bash was becoming more and more of a jam session.

1. Sally Goodin (The Samples Brothers Band
              & The 1937 Flood)
2. Bill Bailey (The Samples & The Flood)
3. Darcy Farrow (The Samples & The Flood)
4. Somebody Stole My Gal (The 1937 Flood)
5. My Dear Companion (The Samples Brothers)
6. Rag Mama (The Samples & The Flood)
7. Jug Band Music (The Samples & The Flood)
8. Bill Cheatham (Kentucky Foothill Ramblers)
9. Wabash Cannonball (Kentucky
               Foothill Ramblers)

10. Eight More Miles to Louisville (Kentucky
                 Foothill Ramblers)
11. That's the Way It Really Was (Front Royal)
12. Tyler Mountain Boy (Front Royal)
13. Samson & Delilah (The 1937 Flood)
14. Gospel (The 1937 Flood)
15. Leaning on the Everlasting Arm (Kentucky
                Foothill Ramblers)
16. Dooley (Kentucky Foothill Ramblers)
17. Tell It to Me (Kentucky Foothill Ramblers)


April 25-26, 1980: By the time we were setting up for the April 1980 edition of the Bowen Bashes, we knew that the winds of change in our circle of friends were rising to the level of at least a Category 3 hurricane. Divorces, new marriages, changing jobs – all were beginning to split up the group of people who had been central to the bash since its beginnings eight years earlier. For instance, April 1980 would be the last time we'd hear H. David Holbrook's rollicking banjo at a bash. Later that year he and his new wife, Becky, would be leaving Huntington and moving south. Susan Lewis soon remarried too, and she would move west, to Louisville. Joe Dobbs and Roger Samples also had new marriages in sight. John Koenig, having married his love Barbara by then, already had taken a new job as the city editor of the newspaper in Marietta, Ohio. The couple's move north had effectively ended the brief Front Royal project, though John did reunite with Stew Schneider and Charlie Bowen for one last hooray at this particular party. But while there were departures, there were also a lot of new arrival at this bash. For instance, Joe Dobbs and Bill Hoke teamed up with a remarkable young guitarist named Margaret Ray to form an exciting new trio called Fret 'n' Fiddle. The group had played a little at earlier gatherings, but the 1980 bash was its true debut as a band. Fret 'n' Fiddle gave Joe opportunities to expand his considerable skills as he regularly switched from fiddle to mandolin for some tunes, and he can even be heard singing a bit on the group's sweet three-part harmonies. The Flood was expanding too. Bill had joined in on upright acoustic bass, Stew had switched to harmonica, and we even drew in Jack Nuckols from time to time as spoon player extraordinaire. But the most exciting new Floodster was non-human. Wallace the Washboard was a David Peyton creation, with which Brother Dave added a rich, fun buffet of horns, whistles, bells and kazoos to The Flood's jug band folderol. Meanwhile, legendary West Virginia musician Buddy Griffin finally made his bash debut that spring, creating some serious memories with his fiery fiddling behind his friends in The Samples Brothers band. Of course, nowadays he's probably best known as an award-winning fiddler, but actually Buddy Griffin is a band unto himself, an expert on all the instruments in a string band. (In fact, a few years after this bash, he would release an album called “The Buddy Griffin Band,” in which he did indeed play all the instruments on its dozen tunes!)

1. Home Sweet Home (Buddy Griffin)
2. Little Maggie (The Samples Brothers)
3. Jesse James (The Samples Brothers)
4. Mama Don't 'Low (The 1937 Flood)
5. Black Eye Blues (The 1937 Flood)
6. June Apple (Fret 'n' Fiddle)
7. Shady Grove (Fret 'n' Fiddle)
8. Make Me a Pallet (Fret 'n' Fiddle)
9. The Old Homeplace (Fret 'n' Fiddle)
10. Flowers of Edinburgh (Fret 'n' Fiddle)
11. Pencil Thin Moustache (Front Royal)
12. So Happy I'm Sad (Front Royal)
13. Oh Boy (The 1937 Flood)

14. Gold Rush (David Holbrook, Jack & Susie Nuckols
                                           & Bob Toothman)
15. I Saw the Light (Hobrook, Nuckols & Toothman)
16. Truck-Driving Man (Hobrook, Nuckols & Toothman)
17. Sister Kate (Bob Toothman)
18. Lonely Girls (The Samples Brothers)
19. Just Because / Bill Bailey (The Samples Brothers)
20. The Ace (The 1937 Flood)
21. Marie (The 1937 Flood)
22. Spoon River (The 1937 Flood)
23. Uncle Pen (The Samples Brothers)
24. Ruby (The Samples Brothers)
25. Liza Jane (The Samples Brothers)


Sept. 19, 1981: When 1981 rolled around, it was starting to be pretty obvious to us that the big parties we had hosted in the spring and the fall for nearly a decade were coming to an end. Some of the main bands that had played such a big part in the bashes — such as the Kentucky Foothill Ramblers and Front Royal — had disbanded by then. And there were other big changes in our lives. Joe Dobbs was set to re-marry and he and his new wife, Linda, would soon move Joe’s music store, Fret ’n’ Fiddle out of town, leaving Huntington for the greener pastures of St. Albans to be closer to the Charleston music scene. Roger Samples would soon re-marry too, and he and Tammy would soon raise a large family, eventually leaving West Virginia, moving the brood west to Mount Sterling, Ky.

Meanwhile, another bright, shiny light was on the horizon. Personal computers had hit the market. Stew Schneider was the first in our bunch to catch the wave, and he soon introduced Charlie and Pamela to its wonders. Dave Peyton came right behind us. Pretty soon after that, Dave and Charlie would be writing computer books for Bantam Books, a venture that would lead to a major change for Charlie. After 17 years of daily journalism, Charlie left the Huntington newspapers in the mid-1980s to begin a new freelance writing career that would enable him to write or co-write more than two dozen books over the next decade.

In other words, for most of us — certainly for the founding members of The 1937 Flood, but also for most the other musicians who had been central the Bowen Bashes — the 1980s meant a temporary retreat from music as we pursued other important interests of family and livelihood.

But that doesn’t mean the Bowen Bash era ended with a whimper. Far from it! That final gathering in September 1981 was one of the most memorable bashes on record, and there were even new faces and new sounds there. For instance, a wild, wonderful West Virginia guitar picker — the late, great Frank Beale — tagged along with the Samples Brothers Band to make his bash debut. Also cousins Bill Hoke and Susan Lewis, late of the Kentucky Foothill Ramblers, reunited for some stunningly beautiful duets that made memories for everyone who was on hand for that autumn weekend in Huntington’s South Side.

1. Norwegian Wood (The Samples Brothers)
2. Bill Bailey (The Samples Brothers)
3. Someday Soon (The Samples Brothers)
4. June Apple (The 1937 Flood)
5. Down by the Sallie Gardens (The 1937 Flood)
6.Unchained Melody (The 1937 Flood)
7. Little Darlin', Pal of Mine (Bill Hoke &
                           Susan Lewis)
8.Hello Stranger ( Hoke & Lewis)
9. Red-Winged Blackbird / Blue Diamond
(Hoke & Lewis)
10. Eight More Miles to Louisville
                          (The Samples Brothers)
11. Every Day Dirt (The Samples Brothers)
12. Star of the County Down (The 1937 Flood)

13. Yas Ya Duck (The 1937 Flood)
14. Waiting for a Train (Hoke & Lewis)
15. Louise (Hoke & Lewis)
16. Come Thou Fount of Every Blessing (Hoke & Lewis)
17. The Preacher and The Bear (The Samples Brothers)
18. When First Unto This Country (The Samples Brothers)
19. Woodchopper's Polka (The 1937 Flood)
20. Green Rolling Hills of West Virginia (Hoke & Lewis)
21. One Red Rose (The 1937 Flood)
22. Furniture Man (The 1937 Flood)
23. Carolina Sunshine Girl (The Samples Brothers)
24. Coal Tattoo (Hoke & Lewis)
25. Gold Watch and Chain (Hoke & Lewis)
26. Just Because (The Samples Brothers)
25. Liza Jane (The Samples Brothers)